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An award-winning scholar and author charts four hundred years of monsters and how they reflect the culture that created them
Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity.
Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.
- Sales Rank: #149622 in eBooks
- Published on: 2016-10-25
- Released on: 2016-10-01
- Format: Kindle eBook
Review
“Braudy is deft and comprehensive, a veritable Linnaeus of the underworldly oversoul. . . He also has a kangaroo capacity for crossing huge distances at a bound, moving with equal zest and confidence among biblical, classical, medieval, Enlightenment and Hollywood figures and conceits.”—Gregory Maguire, The New York Times Book Review (Gregory Maguire The New York Times Book Review)
“[Displays] an impressive depth of knowledge . . .thanks to the way Braudy has reframed the vast canvas on which stories of horror and terror are depicted, I don’t think I will ever watch a horror movie quite the same way again.”—Jonathan Kirsch, The Jewish Journal (Jonathan Kirsch The Jewish Journal)
“Mr. Braudy has long been fascinated with our society’s emotional undercurrent . . . In Haunted, he brings his expertise as a cultural archaeologist to bear of the subject of fear . . . Mr. Braudy’s narrative spans centuries, continents and genres high and low, from the Sirens that tempted Odysseus to the demons Sarah Michelle Gellar faced down in Buffy the Vampire Slayer.”—Adam Hazlett, The Wall Street Journal (Adam Hazlett The Wall Street Journal)
About the Author
Leo Braudy is university professor and Bing Chair in English and American Literature at the University of Southern California. His many books include The Frenzy of Renown and From Chivalry to Terrorism. He lives in Los Angeles, CA.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Things that go bump! in the night
By Art Shapiro
Braudy is a well-respected culture critic and the author of several well-received books, including "The Frenzy of Renown" and "From Chivalry to Terrorism." The subtitle of "Haunted" defines the perceived mission of the book--an analytical taxonomy of horror as a theme in culture and in literature: "on ghosts, witches, vampires, zombies, and other monsters of the natural and supernatural worlds." One's initial impression is that Braudy has read everything (and seen every horror movie ever made), and the footnotes fill 11 pages in quite small type. In the usual manner of public intellectuals, he engages in a lot of "because I say so" judgments of the deeper meanings of this or that; for those with the patience to follow the trail of footnotes, his conclusions seem well-defended if not always convincing. Of course, no one knows or has read everything. There is an odd chapter on detectives in fiction that seems out of place insofar as detectives are not monsters (the squeamish might demur on Mike Hammer) and the genre does not normally partake of the occult or of any but moral monstrosity. Here I think Braudy missed a really important connection between the detective and supernatural-horror genres. Writing under the names "H. and E. Heron," a mother-son team, Hesketh Hesketh-Pritchard and Kate O'Brien (Ryall) Pritchard, in 1898-99 published a wonderful series of stories recounting the adventures of Flaxman Low, the psychic detective. Low somewhat resembles Sherlock Holmes in being a free-lancer utterly dedicated to ratiocination. He is called in to investigate cases of ghosts, hauntings, and other supernatural manifestations and approaches each case with a determination to discover the natural/material basis for the phenomena. Like Holmes, he often does this by direct personal intervention entailing substantial risk. He is not always successful; some cases absolutely defy rational explanation. Here is the perfect bridge between genres, but perhaps Braudy didn't know about it--pity.
He also misses the "Ingoldsby Legends," a wonderful collection of mostly humorous tales of the supernatural (many in verse), published in "Bentley's Miscellany" in 1837 by Richard Harris Barham, under the pseudonym Thomas Ingoldsby and purporting to be local folklore of the author's neighborhood. (Braudy talks about the device of presenting supernatural tales as rediscovered old manuscripts, and the like.) A few items, such as "The Spectre of Tappington," "Jerry Jarvis' Wig," "The Jackdaw of Rheims," and "A Singular Passage in the Life of the Late Henry Harris, D.D." are still read today because they have been anthologized; few but Victorian literature specialists read the whole collection. But it is worth reading, and merits comment as not only a very early example of combining humor with horror, but perhaps the only such example until Oscar Wilde's delightful "the Canterville Ghost," several decades later.-- Anyway, even for readers steeped in such stuff, like yours truly, there are plenty of novel insights and points to ponder in Braudy's book.
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