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Everything is Happening: Journey into a Painting, by Michael Jacobs
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Michael Jacobs was haunted by Velázquez's enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the trails of associations from each individual character in the picture, as well as his own memories of and relationship to this extraordinary work.
From Jacobs' first trip to Spain, to the complex politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, via Jacobs' experiences of the sunless world of the art history academy, Jacobs' dissolves the barriers between the past and the present, the real and the illusory.
Cut short by Jacobs' death in 2014, and completed with an introduction and coda of great sensitivity and insight by his friend and fellow lover of art, the journalist Ed Vulliamy, this visionary, meditative and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.
- Sales Rank: #704127 in eBooks
- Published on: 2015-08-06
- Released on: 2015-08-06
- Format: Kindle eBook
Review
One of the great non-fiction writers of this and the last century... The story twists and turns back on Jacobs: the boyish humanity and exuberance; his wide-eyed openness to wonder; his altogether un-English rush of enthusiasm - is all on show... An exceptionally gifted writer - Simon Schama, Financial Times
Jacobs was [...] insatiably curious, always warm but never unctuous, his voracious erudition in art and history employed as a key but never a cudgel... [An] entrancing memoir - Boyd Tonkin, Independent
His gift of cheerful observation, combined with profound intellectual interpretation, is compelling... Helped along by Vulliamy's affectionate (and extremely learned) commentary, the book gradually resolves itself into the quest the subtitle suggests... A delight - Jan Morris, Literary Review
Open-ended [and] full of curiosity, which rather fits its subject - James McConnachie, Sunday Times
Jacobs writes from close up, as he would look at a painting, with openness, curiosity and passion - Marion Coutts
An interesting discourse on Velazquez's marvellous painting and a fitting tribute to a compelling author.... [The] enormous discipline and dedication and the vivid lucidity that characterized [Jacobs'] writing is very apparent even in this incomplete text... a pleasure to read - Charles Robertson, History Today
[A] clear-eyed look at Velázquez's masterpiece by one of our most animated and engaging writers on art... part travelogue and part autobiography, sadly interrupted but curated with much flair and affection by Ed Vulliamy, whose poignant coda is a tribute to friendship and shared passions. How uplifting to know that, right to the end, Michael Jacobs was still eagerly chronicling - with the same combination of droll scepticism and enthusiastic wonder - the many lands, both geographical and intellectual, through which he passed - Ross King
Every book by Michael Jacobs combines adventure, autobiography and scholarship in a unique blend of warmth, humour and vivid prose. The wide-ranging story of the quest for Velázquez's Las Meninas, from Michael's school days to a contemporary crisis-ridden Madrid, is a perfect example. Sadly, this aptly titled last work is a bittersweet reminder that an untimely death has robbed us of the irreplaceable and irrepressible Michael Jacobs - Paul Preston
Brave and poignant - Michael Prodger, New Statesman
About the Author
MICHAEL JACOBS was born in Italy and studied Art History at the Courtauld Institute of Art. He was the author of Andes (Granta 2010) and The Robber of Memories (Granta 2012). He divided his time between London and a remote Spanish village. He died in January 2014.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Exploring Las Meninas
By Ralph Blumenau
The title of the book is as idiosyncratic as Michael Jacobs’ text.
Since the age of seventeen, Jacobs has been fascinated by Spain in general, by art and by Velasquez’s painting Las Meninas in particular. In just a little over a hundred discursive and engaging pages he tells us about all this (not in chronological order!): his schooldays; the impact the painting has always made on him; his time as an art student; the several occasions, from his teenage years onwards, when he had travelled to the Prado to see that painting (pages which involve descriptions of his journeys and the encounters he had on the way); the character of Madrid; a bit on Spanish literature; the researches he had carried out on and off during his life, not only in libraries but also in meetings with specialists and with people who had been involved in taking the painting out of Spain during the Civil War and returning it afterwards; the various spaces in which the painting had been displayed; and the influence it has had on later painters like the French Impressionists and then of course Picasso.
Jacobs had started writing this book around 2012 but died in 2014 before he could finish it. He had discussed it with his close friend Ed Vuillamy, whose contributions to this book are just a few pages shorter than the 106 pages of Jacobs’ own text. Vuillamy must have worked very hard and in a very short time - truly a labour of love. He has provided an introduction of 29 pages of factual information about the life and times of Velasquez, about the painting itself and about some of the interpretations that have been made of this enigmatic work. He also added 61 pages of his own to Jacobs’ text, in which he describes their similarities and differences in interests and we learn a good deal more about Jacobs’ life and personality, of which Vuillamy gives an excellent account. There is, a long passage about Jacobs’ loyalty to his inspirational teacher Anthony Blunt, even after the latter’s activities as a Soviet agent during the war had been exposed. Jacobs’ text had made some references to the philosophical theories of Michel Foucault about figures looking directly out of us, so that we are drawn into the painting. Vuillamy expands on these in relation not only to Las Meninas but to several other paintings. Elsewhere, too he refers to works by other artists, none of which are illustrated. And there are references to some of Jacobs’ somewhat esoteric ideas which he expressed to Vuillamy in conversation but which Jacobs avoided in his own text. Both Jacobs and Vuillamy are learned and highbrow intellectuals, but, in my opinion, Vuillamy shows this off rather more than Jacobs ever did; and, frankly, I cannot always follow him. For example, he praises the multiple vanishing points in the painting, which it would take an expert - or at least a diagram - to understand, let alone to appreciate them as a mark of genius. But Vuillamy concludes with a touching discussion of what the Chamberlain, framed in the brightly-lit doorway at the back of the scene, came to mean for the dying Michael Jacobs.
I bought this book in hardback rather than on Kindle, thinking that it might have many detailed illustrations which never come out well on Kindle. In fact the hardback has only one small reproduction of the painting, so nothing would have been lost if I had downloaded it onto my Kindle.
3 of 3 people found the following review helpful.
A great book
By Christopher Alexander
This is an incredible book about an amazing painting. And when you learn the backstory on how the book came to be, it all comes together for a beautiful work.
I have seen Las Meninas up-close and in-person three times. It truly is one of my favorite paintings in Spain. It's so hard to describe how or why it captures me, but I'm clearly not alone. If you've seen the painting, you'll understand. If you haven't, you'll need to find a copy to look at, since curiously, this book only had one tiny photo of it.
While the book is about Las Meninas and what the painting might mean, it is so much more than this. In reading the initial reviews, I simply the thought the book would dissect the painting, trying to analyze what different components might mean. Instead, the role of the painting in Spanish history plays a prominent role, and we learn what the piece has for National pride. It's role in the broader world of art is also highlighted.
The book is an easy read and it flows well. Again, make sure you have seen a good copy of the painting---if not the original---as you might otherwise get a bit lost or confused with some of the discussion.
This is a really good book. I suspect I'll read it more than once.
3 of 4 people found the following review helpful.
great book about Las Meninas and Jacobs understanding of it
By FRANCISCO J CUERVO E
Velazquez Las Meninas has been hailed by many as one of the greatest paintings ever, Foucault devoted the beginning of one his book entirely to develop a theory of its meaning. Nevertheless, i have never read a book that combined a deep academic knowledge of a work of art with such a personal account of the author life and its relation between art and life. A book every art lover should read.
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